I am beginning to gather studies and drawings and renderings......and memories of summer sun. Tore a grapevine off a fence and did a canvas study...aged it with umber and raw sienna and some spritzes of alcohol.
When I finished I laughed at myself. It looks like it might slither out of a corner, climb up my leg and clasp me around the throat. I swear, I can draw a rock and make it look nervous. I should run around the block three times and meditate before drawing.
My new project is a series of three arches...approximately 11'x7' done on canvas for a sheltered courtyard in a Spanish style house on one of Seattle's lake front properties.
When I went to the site, I immediately thought of the Spanish coast....cliffs and brilliant light, , olive trees, regimental lines of grape vines, and goats in stark rocky meadows.
I thought something like this example of an Andalusian courtyard....sepias...drawing with a few gouache like accents of color would be terribly chic. (Victorian study...no attribution.)
My client wanted a more gentle Italianate coast, so we came to a compromise. Note the martello tower, but a field with grass and sunflowers.
However, the client wanted a richer palatte and did not want the parrot cage. She wanted more color and more Tuscan. Ack! I still think something is needed in that space. If any of my readers have suggestions........
I may end up doing this ala Zuber style, with opaque paint and infinitesimal increments of value and hue. If I do that, I can get a buddy to come in and work with me to finish quickly. That style is almost paint by numbers but has a sophisticated look.
I do like working HUGE and then tiny....back and forth. Probably tears my mind to shreds.
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